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If read literally, Rhapsody presents a bewildering scene of confusing, albeit beautifully-written nonsense Poetry T. Eliot The Love Song of J. Alfred Prufrock 2 Pages. To the contrary, this poem enters the straggling mind of J. Alfred Prufrock, a Eliot 2 Pages. In a radical attempt to forge a new poetic medium, the poetry of TS Eliot possesses an enduring appeal due to its ability to lament universal concerns of the modern era while also subverting conventional literary content and structure.

The speaker of T. What is interesting is that the tone of this poem is not of wonderment, but of powerlessness The work of T. Eliot frequently presents society as degenerate and infertile. Eliot The Waste Land 6 Pages. Many scholars view The Waste Land as Eliot expressing his fear and Eliot 8 Pages. In addition, he also appears at times to be consciously invoking Eliot 5 Pages.

There are few well-read people today who would not recognize the name T. Known for his brilliant Modernist poetry, Eliot was also a prominent 20th century critic and playwright. Though his literary accolades spreads far and wide, his personal life remains a complex, overwhelming, Eliot 4 Pages. With a definition so broad in context, poets are able to conceive their own literature as poetry by Eliot The Waste Land 3 Pages.

Apollo wanted to take the prophetess as his lover and offered her anything she wanted in return. Sibyl asked to live as Alfred Prufrock 5 Pages. Alfred Prufrock. Prufrock is pushed in two opposite directions by his desires: his desire to have the favor of the woman Modernism Poetry T.

Compared to the poetry prior to the 20th century, the poetry of T. Eliot rings vibrant, unconventional and inventive. In its compression of image and Desire T. In The Waste Land, Eliot utilizes women as a window to show the dissolution and distortion of love and desire.

Eliot creates a progression from invitation, to violation, to automation through the use of three distinct female characters: the hyacinth girl, Philomela, and the young Customer reviews. How are ratings calculated? Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Top reviews Most recent Top reviews.

Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. I'm a real fan of Eliot's poetry -- but I found myself bogged down in his essays on Victorian and earlier poetry. I should've gone into this with a more open mindset. But his analysis of little-known poets -- 18th and 19th century especially -- really slowed down my excitement level.

He covers essayists as well. I've taught a few of these writers, yet found myself bored by Eliot's Christian take on many writers, judging their merit on their orthodoxy as well as their literary ability. Eliot is of course a brilliant writer: more than articulate, a genius with the language, and a careful researcher and reader.

But I'm afraid that despite the accolades that accompany this book, and despite my Master's in Modern Letters -- he darned near put me to sleep with some of this criticism. Sorry -- I wanted to be carried away with his reports. But instead, I found myself skimming instead of digging deep. This is the best single volume collection of essays by T. Understandably, he is still mostly known only for his poems - well, at least in schools, where he's taught in literature courses; usually and only the poems The Waste Land, and The Love Song of J.

Alfred Prufock the latter being my favourite of his poems, transcending in quality and feeling his most famous, The Waste Land, not simply because it is far more accessible, but it is more from the heart, rather than the head, and there are more rewards to be gained by the marvellous riches of the metaphors and similes used.

The collection is the third and final revised edition whose contents only Eliot himself selected and it is most highly recommended to you, whether you dip in and out of the Sections and individual essays according to your particular interests, or read them all from cover to cover without changing course. If you are passionate about preth century poetry, literature in general especially English for the last two clauses here , criticism thereof, or the humanities in general, you will find much to engage and stimulate your mind and love for literature.

While all of his essays demand your undivided attention as a close reader, because every sentence of his matters, rest assured that such dedication is more than rewarded by the learning, pleasure and insight you will gain from reading them. And, as with all truly great critics, his individual studies of writers compel you with passion and enthusiasm to read their works to which he refers.

It radically differentiates itself from the Edwardian and Victorian literary criticism save the caveat of Arnold's work! Section IV is represented by a standalone essay, and deservedly so: on Dante. The greater part is, rightly, devoted to the Divine Comedy, and it is a truly marvellous, deeply researched and stimulating series of reflections, arguments and contextualisation both culturally- and historically-situated.

He also signposts the significance of Dante's earlier poem, written in his youth, The Vita Nuova, clearly showing you how 'some of [its] method and design, and explicitly the intentions, of the Divine Comedy are shown [ Inevitably, too, you want to rush to read or re-read Dante's great poems. Section V is devoted to poets, and all the pieces are marvellous: compelling, insightful and appreciative.

And he is brilliant on Marvell, Dryden - most especially - if you were ever put off by reading Dryden in the past, as I was, or are otherwise unfamiliar with his work, I assure you this essay will drive you with gusto to his poetry - and Blake. Section VI is an odd mix and is the only one that doesn't seem to cohere as a group; essays on Lancelot Andrews and John Bramhall are, to my mind, not of much merit, and, worse, there's a tiresome 25 pages of reflection on the Report of the Lambeth Conference, famous at the time, about the issues within, state of and future considerations of the Church of England: unless you're a devoted theologian, or an absolute C.

Most satisfying of them all, you arrive at Section VII, where you're drawn into excellent criticism on Baudelaire, The Humanism of Irving Babbitt, Second Thoughts about Humanism, and on the critics Arnold and Pater, besides two other essays, and an absolutely fantastic one on the multi-layered, complex relationship - both literary- and friendship-wise - on Wilkie Collins and Dickens. Eliot was the dominant figure in modernist literature not just because of his poetry, but also because of his criticism which changed our view of English literature in ways which can still be felt today.

He resurrected the forgotten John Donne and had him eclipse John Milton as idol of poetry. He showed that Shakespeare was not the only playwright of his time. He was brillitant at explaining what made modernist literature different from its perdecessors. Eliot's style is a pleasure to read compared to what passes as lit crit today. Many of his insights may seem outdated, but any student of literature will find fascinating views, especially about Elizabethan literature.

I was very surprised that I got through this book. It is not every day that a person will pick up a collection of essays on Classical, Elizabethan and other types of literature, for enjoyments sake. Eliot really outdid himself with his reviews of the literature that he was surrounded by. The definite reads, if you do not want to go through all the essays, are the essays "Dante", "Hamlet and his Problems" and "A Dialogue on Dramatic Poetry".

This book is pure genius, although at points rather "holier-than-thou. The Collected essays are quite useful to my study. They help readers to get further understanding about Eliot's thinking and insight to politics and society in seventeenth and eighteenth centuries. Also, Elito clearly elucidates his idea in logical writing which may be benefitial to readers' writing. See all reviews.

Top reviews from other countries. You meet a great mind in reading T S Eliot.

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Business plan for website company Dust Jacket Condition: Near Fine. These essays offer an education. There is no general rule. Rare thus. I dId not reahse that Mr. Between the first and the second of these passages there is, however, a dIfference biographical sources definition rather than degree: the first IS real poetry, the second IS the echo of a mood wIDch other dramatic poets had caught and realized wIth greater nlastery. He has left only two plays; and it has been doubted even whether the same man wrote both; and If he did; as most scholars agree, there is stlll some doubt as to which he wrote first.
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Kindle Cloud Reader Read instantly in your browser. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Selected Prose of T. On poetry and poets,. S Eliot. Complete Poems and Plays. Get everything you need. The Epistle to the Romans. Karl Barth. Aesthetics: Volume II.

Dietrich von Hildebrand. Customers who bought this item also bought. Ulysses Modern Library Best Novels. James Joyce. Special offers and product promotions Amazon Business: Make the most of your Amazon Business account with exclusive tools and savings. Login now. Don't have a Kindle? Customer reviews. How are ratings calculated? Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon.

It also analyzes reviews to verify trustworthiness. Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. I'm a real fan of Eliot's poetry -- but I found myself bogged down in his essays on Victorian and earlier poetry. I should've gone into this with a more open mindset. But his analysis of little-known poets -- 18th and 19th century especially -- really slowed down my excitement level.

He covers essayists as well. I've taught a few of these writers, yet found myself bored by Eliot's Christian take on many writers, judging their merit on their orthodoxy as well as their literary ability. Eliot is of course a brilliant writer: more than articulate, a genius with the language, and a careful researcher and reader. But I'm afraid that despite the accolades that accompany this book, and despite my Master's in Modern Letters -- he darned near put me to sleep with some of this criticism.

Sorry -- I wanted to be carried away with his reports. But instead, I found myself skimming instead of digging deep. This is the best single volume collection of essays by T. Understandably, he is still mostly known only for his poems - well, at least in schools, where he's taught in literature courses; usually and only the poems The Waste Land, and The Love Song of J.

Alfred Prufock the latter being my favourite of his poems, transcending in quality and feeling his most famous, The Waste Land, not simply because it is far more accessible, but it is more from the heart, rather than the head, and there are more rewards to be gained by the marvellous riches of the metaphors and similes used. The collection is the third and final revised edition whose contents only Eliot himself selected and it is most highly recommended to you, whether you dip in and out of the Sections and individual essays according to your particular interests, or read them all from cover to cover without changing course.

If you are passionate about preth century poetry, literature in general especially English for the last two clauses here , criticism thereof, or the humanities in general, you will find much to engage and stimulate your mind and love for literature.

While all of his essays demand your undivided attention as a close reader, because every sentence of his matters, rest assured that such dedication is more than rewarded by the learning, pleasure and insight you will gain from reading them. And, as with all truly great critics, his individual studies of writers compel you with passion and enthusiasm to read their works to which he refers.

It radically differentiates itself from the Edwardian and Victorian literary criticism save the caveat of Arnold's work! Section IV is represented by a standalone essay, and deservedly so: on Dante. The greater part is, rightly, devoted to the Divine Comedy, and it is a truly marvellous, deeply researched and stimulating series of reflections, arguments and contextualisation both culturally- and historically-situated.

He also signposts the significance of Dante's earlier poem, written in his youth, The Vita Nuova, clearly showing you how 'some of [its] method and design, and explicitly the intentions, of the Divine Comedy are shown [ Inevitably, too, you want to rush to read or re-read Dante's great poems. Section V is devoted to poets, and all the pieces are marvellous: compelling, insightful and appreciative.

And he is brilliant on Marvell, Dryden - most especially - if you were ever put off by reading Dryden in the past, as I was, or are otherwise unfamiliar with his work, I assure you this essay will drive you with gusto to his poetry - and Blake. Section VI is an odd mix and is the only one that doesn't seem to cohere as a group; essays on Lancelot Andrews and John Bramhall are, to my mind, not of much merit, and, worse, there's a tiresome 25 pages of reflection on the Report of the Lambeth Conference, famous at the time, about the issues within, state of and future considerations of the Church of England: unless you're a devoted theologian, or an absolute C.

What is interesting is that the tone of this poem is not of wonderment, but of powerlessness The work of T. Eliot frequently presents society as degenerate and infertile. Eliot The Waste Land 6 Pages. Many scholars view The Waste Land as Eliot expressing his fear and Eliot 8 Pages. In addition, he also appears at times to be consciously invoking Eliot 5 Pages. There are few well-read people today who would not recognize the name T.

Known for his brilliant Modernist poetry, Eliot was also a prominent 20th century critic and playwright. Though his literary accolades spreads far and wide, his personal life remains a complex, overwhelming, Eliot 4 Pages.

With a definition so broad in context, poets are able to conceive their own literature as poetry by Eliot The Waste Land 3 Pages. Apollo wanted to take the prophetess as his lover and offered her anything she wanted in return. Sibyl asked to live as Alfred Prufrock 5 Pages. Alfred Prufrock. Prufrock is pushed in two opposite directions by his desires: his desire to have the favor of the woman Modernism Poetry T.

Compared to the poetry prior to the 20th century, the poetry of T. Eliot rings vibrant, unconventional and inventive. In its compression of image and Desire T. In The Waste Land, Eliot utilizes women as a window to show the dissolution and distortion of love and desire. Eliot creates a progression from invitation, to violation, to automation through the use of three distinct female characters: the hyacinth girl, Philomela, and the young In many respects, T.

Literature Review T. Eliot Tradition 6 Pages. The award-winning, genre-defining poet Thomas Stearns Eliot is known not only for his poetic masterpieces, but also for his literary criticism. Eliot The Waste Land 1 Page. The Waste Land is apparently a poem about World War I and its aftereffects on every aspect of life at the time — the title refers to Europe itself after the end of the war and the struggle to rebuild..

S Eliot himself seems to Modernism T. Eliot The Waste Land 4 Pages.