She powers into the film soon after it opens with a terrific whoosh. Then with graceful resolve, she sails through the cacophonous newsroom, first pausing to chat up two female telephone operators and then full steam ahead toward Walter. She owns this space. A reader — hello Stu Freeman — chided us for not mentioning Hawks in our party invite. But of course we were going to talk about Hawks and hoping that the readers would chime in, too. Brilliant direction. And yes, Cary Grant is the greatest movie actor of all time.
A somewhat stagy newspaper picture is transformed into one of the great comedies of remarriage to borrow a phrase from the philosopher Stanley Cavell and also a masterpiece of cinema. Every room has its mood, every scene its particular choreography, even when rarely the characters are sitting down. The card game in the press room. The performances by the two principals are almost acrobatic feats: to retain clarity and sense notwithstanding a rapid-fire delivery of words and a liberal dose of sarcasm, playful insult, bemusement, innuendo, and scattered asides.
The three-way lunch is a perfect example. One of my favorite moments is of Hildy simply raising a hand to quiet Walter. Readers narrowed in on the speed of the dialogue — an apparent words a minute, far faster than the average speaking rate — which is another crucial Hawks choice. It is as charming as ever but now reads to me, in this moment, as more about people frantically trying to convince themselves that everything is okay, all evidence to the contrary.
The film never goes outdoors to the streets that are teeming with Red Menace, violence, and suffering; through the windows we see a gallows and a body on a sidewalk. The two men could not be more different, but that is precisely why Hildy is caught in between them. Fed up with Walter's unreliable antics—he skipped their honeymoon to follow a story—Hildy goes towards Bruce, an insurance salesman, in search of her own insurance.
She wants to be sure that the man who loves her really treats her like a woman, not just as an "errand boy. Symbolically, Walter represents the working world and the world of current events, while Bruce represents a domestic life and a life of stability.
The film is fast-paced, witty, with a rapid slew of suspenseful events and comedic scenarios. The dialogue, from the start, consists of quick repartee and clever one-liners. Additionally, the tension between Hildy and Walter is not just professional but romantic, and highlights a "battle of the sexes" dynamic that was prominent in many screwball comedies.
In all these ways, His Girl Friday is the epitome of a "screwball comedy. After she gets off the phone with Bruce, Hildy bursts into tears, an unusual occurrence which takes Walter aback. When she realizes that Walter has had Bruce sent to jail yet again, she realizes that he still wants to keep her in town so that she will remarry him. This realization leaves her feeling vulnerable, as she was afraid for a moment that he was indifferent to her.
In a comic turn of events, the news that Walter had Bruce sent to jail is moving to Hildy, because it signals to her that he really cares. Howard Hawks was quoted in an interview as saying that he wanted to better replicate everyday speech in His Girl Friday and so wanted the dialogue to overlap—for characters to cut off other characters' sentences. When it came to filming, he had sound assistants move around with mobile microphones to catch different people's dialogue, and then in post-production mixed together their different recordings to give the dialogue a cacophonous, polyphonic quality.
And yes, Cary Grant is the greatest movie actor of all time. A somewhat stagy newspaper picture is transformed into one of the great comedies of remarriage to borrow a phrase from the philosopher Stanley Cavell and also a masterpiece of cinema. Every room has its mood, every scene its particular choreography, even when rarely the characters are sitting down.
The card game in the press room. The performances by the two principals are almost acrobatic feats: to retain clarity and sense notwithstanding a rapid-fire delivery of words and a liberal dose of sarcasm, playful insult, bemusement, innuendo, and scattered asides. The three-way lunch is a perfect example. One of my favorite moments is of Hildy simply raising a hand to quiet Walter. Readers narrowed in on the speed of the dialogue — an apparent words a minute, far faster than the average speaking rate — which is another crucial Hawks choice.
It is as charming as ever but now reads to me, in this moment, as more about people frantically trying to convince themselves that everything is okay, all evidence to the contrary. The film never goes outdoors to the streets that are teeming with Red Menace, violence, and suffering; through the windows we see a gallows and a body on a sidewalk. While Hildy and Walter joke and flirt, a state-sanctioned execution is advanced by corrupt politicians.
All in fun, of course, but still. A nest of vipers and scoundrels, but the only hope for democracy! Hildy is a wonderfully complex character, one that frustrates as well as delights. You can see her weeping as a defeat, true, but I think that it makes her human, certainly more so than Walter. And, unlike so many men in the movie, she is supremely competent: her jailhouse interview, for one, says more about her competency than any word of dialogue.
Baldwin Alma Kruger , Hildy's prospective mother-in-law. Her part is small and intentionally comic but important to deal with, for she is the logical extension of the "suburban bridge player" Hildy might have become. The figure of the respectable woman who dominates men — a figure the courier Pettibone's off-screen wife embodies also — is the most threatening to Hawks' notion of the balance of the sexes.
She evokes the specter of male impotence and thus makes the idea of sexual equality seem precarious and dangerous, an undertaking for exceptional people only. Moreover, she strikes at the male's definition of himself — not merely his sexual identity, but the identity he achieves through what he does.
In her unconscious and highly noble efforts to make what the female world calls 'a man' out of Hildy, Peggy has neither the sympathy nor acclaim of the authors. In many ways the female Hildy is virtually one of the boys. When one of the reporters addresses her as "Hildegard," we realize how deep their level of acceptance runs: they can even kid her about having a woman's name. They invite her to join their poker game and read her interview with the condemned murderer in tones of awed reverence.
Yet they define her possibilities in terms inapplicable to themselves:. Hildy's competence is not a threat to the reporters but the price of admission to their all-male world, the price she has to pay to escape the world of female entrapment in domesticity. Yet Hildy's acceptance by the men also results in her mistreatment as a woman. Part of the film's humor lies in the frustration of Hildy's desire to be "feminine," to have men light her cigarettes and open car doors for her.
In one shot Hildy gallantly holds open one swinging gate for Walter, who graciously acknowledges her gesture. He then proceeds to shut the next gate on her knees, with the tracking camera movement leaving Hildy behind as thoughtlessly as Walter does. Walter's conscious violation of the rules of chivalry — wearing his hat around Hildy, grabbing her light for his own cigarette, smirking while she struggles with a heavy suitcase — reinforces the notion that Hildy must struggle to become part of the men's world.
Yet we also laugh when Walter discovers a soft spot in Hildy's facade of toughness. Away from Walter, Hildy is much more in command, so much so that we realize her only logical partner is her ex-husband. Hildy has courage she takes a gun away from the escaped Earl Williams and lays a flying tackle on Warden Cooley and wit. She can talk roughly "…shot the professor right in the classified ads" and sometimes even brutally Louie: "You better give me a receipt"; Hildy: "I'll give you a scar". She smokes and drinks and her actions contrast with the men who don't, particularly Bruce and Earl.
But the film never allows us to forget Hildy is a woman and must conform to certain "womanly" patterns of behavior. When she runs after Warden Cooley, her skirt pulled up around her knees and her high heels making her totter precariously, we realize to what degree the humor of the film depends on our assumptions of how women normally behave, and we realize how many conventions of femininity Hildy embraces.
When the reporters kid her about her new hat, she laughs them off, but a tinge of defensiveness comes through. Clothes are a major concern of the depression-era screen heroine, one of the clearest places where economic hardship challenged male-dictated notions of fashion and femininity.
She is a woman and wants to be treated like a woman, not like a frilly object and not like a fake man. At the end of the film, when she breaks down and cries, she reveals an emotional honesty none of the men is capable of, a strength of feeling that would be a weakness for them.
In a way it costs her. At the end of the film she cannot be considered Walter's equal. She is a woman and a reporter, but she also is in love, an eager puppy grateful for her acceptance into a world in which she does not yet belong. As editor Walter Burns, Cary Grant creates a depiction of manliness that in some ways is a more subtle manipulation of our preconceptions than Russell's femininity.
We know how women are supposed to behave, and we recognize deviations from that behavior as either humorous or intrepid. Men have more leeway. They can be strong without being physical, passionate without being weak. Walter Burns reeks of power. In the film's terms this is economic and political power Walter apparently controls the newspaper , but Walter seems to personalize it. People respond to his character because of who he is, not because of the position he holds.
They are swept away by his wit, presence and fanatical zeal for the newspaper game. But Walter Burns also is a man in love, and his pursuit of Hildy is no less fanatical. At times he's like a juggler keeping plates spinning in the air, with Hildy on one side, the Earl Williams news story on the other, a host of lesser concerns all around him.
The effect is not to nullify any one of his passions but to give them all a sense of irony. In both those films he tries to win back an ex-wife, and in the latter he even tries to prevent her marriage to Ralph Bellamy, yet neither film clearly defines him in terms of what he does. His ardor consumes his character in these films and makes him seem one-dimensional.
This intermeshing of personal and professional interests proves to be the battleground where Walter Burns ultimately wins back both his reporter and his wife. Hildy cannot play both games at once: she is too honest, but she also is too vulnerable. Her heart wins out in the end. In the crucial confrontation between editor and reporter, a long tracking shot done in one continuous take, Walter restrains Hildy from running after Mrs.
Baldwin and begins gently but firmly pushing her around the pressroom. She backs away from him, but he guides her as if in a dance, prodding her, turning her, physically dominating her, all the while weaving a hypnotic spell with his ceaseless talking, his glib rendition of what Hildy stands to accomplish as a reporter, saving Earl Williams, cleaning up corruption, giving the city a chance for "the kind of government New York's having under LaGuardia," the whole rhythm of his lies expressing the singularity of his purpose: to win Hildy back to him, as reporter and as lover.
She concedes, she cries. Walter, on the other hand, is back spinning plates, combining plans for a second honeymoon trip to Niagara Falls with the chance to cover a strike in Albany. Walter's physical domination of Hildy is another level at which the film reinforces our assumptions. Men operate in a sphere of violence. The film begins on the eve of an execution and ends with the outbreak of a strike. In between there are shootings, kidnappings, fights, a jailbreak and a car crash.
Hawks turns much of this violence into parody: the ineptness of the Sheriff and police, the bumbling earnestness of Louie the gunsel, the glib viciousness of the mayor. Walter vacillates between childish fantasies of violence — dynamiting the four o'clock train to Albany "Could we? Baldwin was killed in the auto accident "Was she? Was she? He wears his hat throughout the second half of the film, using it as a prop to reinforce the mugging and posturing of his hoodlum characterizations.
Yet when Walter grabs Hildy's wrist, there's no question who's the stronger. Hildy may make isolated physical gestures, but they're intrusions into the male domain. It simply takes a strong man to put her in her place. Like Hildy, Walter occupies a middle ground between two extremes of supposedly traditional behavior.
He can be aggressive and physical without approaching the violence of a character like Louie Abner Biberman or be sensitive and sincere without seeming weak, like Bruce or Pettibone Billy Gilbert. Yet all these men adhere to certain standards of male behavior that in turn enrich their characters. Louie may be a hood, the traditional overcompensating small man, but he also is incongruously vulnerable. He allows Walter to lift him up like a child in order to let him get a look at Bruce on the other side of a partition.
He gallantly defends Evangeline's reputation "She ain't no albino. She was born right here in this country. Baldwin before carting her off bodily. The harried Pettibone, on the other hand, is exploited constantly by everybody yet nevertheless finds the courage to resist the corrupt mayor's bribe and deliver Earl Williams' reprieve. He is the classic milquetoast, an insurance salesman from the sticks who lives with his mother and doesn't go out without his umbrella and rubbers. He is graceless in contrast to Walter's smoothness, bumping Hildy's hat as he helps her on with her coat; full of untested bravado "If things get rough, remember I'm here.
His very dullness stands out in contrast to the mystique of adventure that "real men" are supposed to embrace. Yet Bellamy gives his character such depth and gentleness that one can appreciate Hildy's attraction to him. Walter does not recognize Bruce as a true rival, but he sees the need to adopt some of Bruce's sensitivity toward Hildy if he's to win her back.
His smugness toward Hildy in the opening scenes gives way to tenderness at the film's conclusion. When he tells Hildy to go back to Bruce, he says,. I was sore because he can offer you the kind of life I can't give you.
It's a lie, of course, but in its own way it's also a concession. Beneath all the glibness and cynicism there lies a certain sense of loss, of incompleteness. For just a moment Walter offers Hildy his vulnerability. It's hard to imagine Walter and Hilda maintaining the same frantic pace for the rest of their lives together. The impulse towards domesticity is a strong one. Earlier in the film Hildy declares,. I'm gonna have babies and take care of them and give 'em cod liver oil and watch their teeth grow and, and — oh dear, if I ever see one of 'em look at a newspaper again, I'm gonna brain 'em …".
Throughout the film there are numerous references to people's families and children. People getting married and settling down and raising children appears as the natural order of things. If Walter and Hildy's unconventional behavior strikes at the dullness of this order, it nevertheless validates the conventions that define bourgeois marriage: jealousy, fidelity, monogamy, heterosexuality, the separation of home and work, and the preeminence of romantic love.
The film adopts a sophisticated pose toward sex, but the pervasiveness of traditional values makes the pose humorous. Walter pretends to be shocked when he hears that Bruce and Hildy are taking the sleeper train to Albany the night before their marriage. Bruce assures him that Mother will be chaperone. Later Walter and Hildy laugh over their own premarital affair.
But the activities of one sophisticated couple do not present an alternative to the "naturalness" of the established order. Wit and zaniness and frantic activity may be an antidote to boredom, but they offer no remedy for the systematic, structured inequalities that produce boring lives.
All the characters' energy — and all the viewers' attention — is misdirected. One is left with the feeling that it's possible to change one's own life but not human nature. And since the film presents domesticity as a natural state, even the possibilities of personal growth seem limited. In a world where political action is not a viable alternative, the pursuit of adventure tends to take on special significance.
|White goods business plan||But the most striking instance of hush amid chaos comes shortly after, when Mollie Malloy, played by Helen Mack in the only dead-straight performance in the picture, comes into the pressroom to berate the reporters. The romantic, journalistic and political high jinks that drive the picture defy easy summary, but there are a lot of spoilers here. Hildy has courage she takes a gun away from the escaped Earl Williams and lays a flying tackle on Warden Cooley and wit. Bruce assures him that Mother will be chaperone. Myth is seductive.|
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Although, Harry Potter is most famous in Europe, which is the setting of the books, and The United States, the books are still very popular world-wide. As a writer Fiona Psych 29 January Memory Chapter Essay College can be a stressful time and learning and memorizing all the information for all your classes can seem overwhelming. I have some tips that I learned from studying the brain that can help you through this stressful time. The existence of memory is It is often elusive, and the brief time that we have to learn all we can about it is not sufficient.
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I started off the lesson Ultimately, both beginnings Wim Wenders assembled a cohesive tribute to the life and work of this spectacular choreographer, showcasing several astounding performances. Pina exemplified how dance is considered a great performance art, and her legacy is well We believed that is a great form of expression and it would be a good addition to our performance as research project.
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Use a phrase that flows naturally given your prior argument and be sure you've thoroughly proven your point throughout your paper! You may have a number of questions about different types of essays, how they are structured, and how transition words relate to the essay type. I've answered some commonly asked questions below! There are four common essay types and you can use transitions in all of them!
The types of essay are:. Many expository and argumentative essays have similar organization and can be broken down as follows:. Notice how transition words and phrases create a context for the story even when they're not used in every sentence? Transitions bring to light the implications of a paragraph where a lack of transitions leaves the story flat.
Please note that it's important to use transitions, but not to overdo it! Starting a sentence in the same way time and again transition, idea can bog down your writing. One way to maximize the efficiency of your transitions is to use them to start a paragraph and finish a paragraph in the last or second to last sentence. This would take the form:.
Just following my tips to add transition words to your essay can often make your essay much better and will probably improve your grade. Inevitably, as soon as I tell my classes about this technique their writing improves dramatically. Better yet, the more you practice placing transition words, the more you will use the technique when writing your first draft. This technique trains you to think about how your ideas relate to one another. Transitions will help you write essays that are deeper, more connected, and logically sound.
If you've found this technique helpful, or if you have another sentence starting techniques, please add your comments below to help out other writers. Question: What are other words can I use instead of "I" when writing an essay?
Answer: If you are writing in the first person, you can't avoid using "I" all the time. However, a good strategy is to avoid putting "I" at the beginning of every sentence. Using the "Easy Words to use as Sentence Starters" lists before the "I" can help you to make the sentences seem more varied. You can also use phrases such as:. Although they can be somewhat awkward, you can also use phrases like: "this writer. Question: I keep on using "this" to start a sentence, like I will say "this disruption caused Is there any way that I can use a different word, or transition to get rid of the repetition?
Answer: Avoiding "this" is an excellent way to improve your writing. You can certainly use any of these sentence starters to help you out. With a sentence starter, you might still use "this," but it won't stand out as repetitive. Additionally, you might want to think about other ways to state the point or combine two ideas together into one longer sentence. See the following:. Inevitably, this disruption caused a problem in society because corruption began to be seen at all levels.
Bribes were expected by all public officials. Therefore, the disruption Moreover, the problem started Furthermore, without having any way to stop it, the officials in charge began to Answer: Yes, I am a real English instructor. I have worked for over 20 years at a large private University in the United States. My biography and picture are on my profile page. I personally respond to all comments and questions which have substance and would be useful to more than just one person.
Everything on VirginiaLynne has been written by me, and most of the writing articles are developed from the instructional materials I've written for my own classes. Question: What are other words to use instead of using "I" all the time? Answer: If you are writing in the first person, you can't avoid using "I. Answer: You need to write a description that uses sense imagery smell, taste, touch, sight and uses vivid adjectives and adverbs.
One way to do this is to close your eyes and imagine the story from beginning to end. Then start writing down phrases of what you see. Next, write a paragraph about what happens. Make it more vivid by adding as many details as you can. Question: What's a good way to start a paragraph when you are comparing two characters? Question: What are the best transitions to use with my body paragraphs when I'm writing an essay? Answer: Most of these sentence starters can be used as a transition to a body paragraph.
To choose the right one, you need to decide what connection that body paragraph has to the paragraphs before. Are you adding information? Use the different types of transitions listed under those categories. A few of the most popular ones to use are: Additionally, Therefore, In contrast, In conclusion.
Answer: Generally, if you are trying to write just the minimum, you would expect to write five sentences for each paragraph. So 25 sentences in a 5 paragraph essay would be the least you should do. Question: I have a question in regards to punctuation.
How should I quote an author who quotes someone else within the quote? Answer: Using a single quotation mark around a quote within a quote is the appropriate way to handle this situation. For example:. Brian Johnson told me, "My favorite quote has always been Martin Luther King's statement that 'Darkness cannot drive out darkness: only light can do that,' and I tell that to all of my students. Answer: Start a story with a vivid illustration, a story, a question, or a personal example.
Answer: Start with a story about a romance. You can do a historical couple, someone you know who has an interesting love story, or a personal story you have about love or Valentine's day. Another way to start this essay is to use what I call "Reversed Expectations.
The body of your essay can be a story about Valentines, reasons why you do or do not like this holiday, explanations about how people celebrate it differently around the world, a discussion of the history of the holiday, description of how it has become a major commercial holiday, or a discussion of how important this day is for certain businesses like florists.
Conclude with what the holiday means to you, why you do or do not like the holiday, or what you think should be done to make this holiday better. Answer: Paragraphs which should all start with a topic sentence make up the essay structure. The topic sentences should tell the main idea of each paragraph and should all work to answer the thesis question.
That thesis question should come at the end of the introduction and the answer should come after that. I have complete instructions for organizing a variety of type of essays. Question: What are other words can I use instead of ''personally'' in an assignment?
Answer: There are many good ways of starting a sentence. A typical way of starting a sentence in English is with the subject. However, that can become monotonous and that is why I suggest that you try using some of these sentence starters, or "ing" words called gerunds or other types of phrases which come before the subject.
Answer: One of the best ways to improve your vocabulary is to read. Choose things to read that you can understand but which have a few words on a page that you aren't sure what the meaning is. Mark the words you arent sure about. You might even want to write them down in a list.
Looking at the sentences around that word, try to figure out what it means and write down what you think. Then look the word up and write down the "dictionary definition. When you have spent that much time on a word you will probably remember it, but you can also review the words and definitions once or twice a week to help you remember.
Last, try to use your new words in writing or conversation! Answer: There are several ways to answer this question, and so, I will try to cover all of the information possible on this topic. Sentence starters are excellent words to use as the first word in a paragraph because they will help you link the ideas of each paragraph together. For example, if the essay is about reasons that Indian food is so tasty, these possible first sentences of the body could be done:.
Ultimately, the taste of Indian food comes from the variety of ingredients and the creativity of cooks There are many correct ways to start a paragraph, but in standard English, it is typical to begin each paragraph except for the first paragraph in an essay with the topic sentence. A topic sentence tells the main idea of the paragraph. The rest of the paragraph will explain the topic sentence and give examples and reasons to back up that assertion. In the first paragraph of an essay, you will generally give examples first and then put the thesis sentence at the end of the paragraph.
The thesis sentence is the main idea of the whole essay. Finally, in case the question is actually about the formatting of the paragraph, it is important to know that each paragraph in English is indented, and starts with a capital letter as do all first words in an English sentence. Answer: I often advise students to use a question as an opening statement because that helps to get the reader to think about the topic. Another good way to motivate a reader of a letter is to present them with a startling statistic, dramatic story, or interesting fact.
Sometimes sentence starters can be helpful in making your sentence more interesting. Here are some sample openings to sentences:. Answer: I don't think that phrase would make an effective ending of a sentence unless you were using it in a conversation. Answer: There are many different types of essays that I have written articles about, including:.
You can find many sample topics on these types of essays on my web pages. You can also find step by step instructions on how to write these essays. Answer: If an essay uses sources, it should include a bibliography which lists the works cited in the essay. For example, I often suggest that students start with a personal example of the situation to draw in the reader's attention and then have them give statistics to show the scope of the problem.
With any of these examples, you can still use the sentence starters in this article to make your sentences pop out. Answer: "The" is the only definite article we have in the English language and there isn't an actual substitute for saying "the lawn," "the dog" or "the man. In general, you really can't overuse the word "the. To get rid of that problem, you can substitute a clearer and more specific description of the thing you are referring to rather than the simple "the Answer: What you are describing is a "cause" transition.
Here are some possibilities:. Question: Instead of saying "I believe" at the start of a sentence what could I say? Answer: You can add manyof the other sentence starters in front of "I believe" to make a change. You can also say:. Sometimes, instructors want you to keep the first person "I" out of the essay.
If that is the case, you can say:. Question: Can I start a sentence using the word "My"? Example: My hoarding of unnecessary things is getting out of hand. Answer: My answer has to be yes! As long as you use "my" as the possessive of something it works. In my example "my answer" uses "my" with a noun and describes whose answer it is.
In your example, the "my" is used with a phrase describing an action "hoarding of unnecessary things" which is the subject of the sentence. Answer: Sentence starters are especially important in persuasive writing because they intensify your language and point the reader towards what you feel is most important. Any of these sentence starters will work, but persuasive writing sometimes focuses on the more common or emotionally charged language, avoiding the more academic-sounding words. Here are some examples,.
Answer: Any words can be used to start an essay and there isn't really any particular words or phrase that works best. Generally, I tell students to begin a first draft of an essay by setting a timer and just writing down everything they think or know about the paper topic.
This does not have to be full sentences. You can write down just words or phrases. After you've written for about minutes, stop and re-read what you have. If you haven't yet decided on a thesis question, this is a good time to choose one. The next step is to answer that question, which makes your thesis answer main thesis statement.
From there, you can decide on your introduction, body, and conclusion. I have many different articles on how to write different kinds of essays. You can Google the type of essay you are writing with my name and this website and you can find a full set of instructions. Answer: End your introduction with the topic question. The thesis will be the answer to that question and it can be put after the question or as the beginning of the next paragraph.
Question: What would be another way to say "in the middle of the story? Question: Which words can I use to start a paragraph? Can we start the paragraph with transition words? Answer: Transition words make an excellent first word in a paragraph because they help you explain how that paragraph is linked to the ideas in the previous paragraph. Answer: If you are writing in the first person, you really can't get away from using "I" but you can put these sentence starters in front of the "I" so that it doesn't jump out at the reader.
As a matter of fact, I usually introduce sentence starters to my class when we are doing a personal essay. I have them notice how many times they start a sentence in the personal essay with "I" and then I have them circle all of those "I" sentences.
Next, I have them scan the list of words and put one or more in front of the "I" sentences. Another trick is to take a sentence and invert it so that the "I" is not the first word. Here is an example:. Bad Example: I wanted to explain how to use sentence starters and so I used many "I" sentences in this answer. Rewrite: Because I wanted to explain how sentence starters work, I used many "I sentences in this answer. Go back and see what I did to "eliminate" the "I"! You can start with a description or short story from each of the two which shows that comparison.
Question: l always start sentences with ''the'' can you help me to stop, please? Answer: "The" is not an incorrect word to use to start a sentence but you never want to use the same word over and over because it makes your sentences sound repetative and not as professional. If you are using "the" repeatedly, it probably means you are always writing sentences which start with the subject. To fix that, you can switch sentences around to put the object first, add one of these transition sentence starters, or just reword the sentence.
Answer: You can replace the "am" with a more active verb which describes what you are saying. You can also add an adverb word ending in "ly" which describes the verb. A final way to vary your word choice is to add some of these sentence starters. Here are some examples:. Question: What are other words can I use instead of "My" when writing an essay?
Answer: The word "my" is a possessive pronoun which doesn't really have a substitute. You could write, "the pen belonging to me was stolen" instead of "my pen was stolen" but that is a rather awkward and archaic phrasing. Answer: I'd start with a story that would show both your good and bad points. For example, a time that you spent a whole day getting ready for a friend's birthday only to find out that you'd gotten the wrong day.
Then you could say what that reveals about you. I this example you could say, "This shows that I'm a thoughtful person, but not always very careful about the details. Answer: There is not just one sentence starter that works for any particular position in a paper. What you need to decide is what that sentence is doing in relation to the last paragraph.
If you are adding information, use an adding transition. If you are contrasting, use a contrast transition etc. Question: I am stuck on writing the first sentence which often determines whether or not the reader wants to continue. How do I write an effective "hook? Answer: Using one of these sentence starters is a good way to write a more interesting sentence for your "hook.
Questions can be a good starting sentence, or a vivid description or startling fact. Never start with something boring like "In all of human history Here are some sample first sentences on that topic:. Getting ready for school in on a Monday morning, John Jefferson hoped the school breakfast would be a good one since he hadn't eaten anything but crackers since the school lunch on Friday.
Answer: Any of the words in these lists would work. You should also think of different ways to address your subject. For example, if your subject is "the school" you could also say:. The name of the school with an adjective or possessive: our friendly school, this horrible school, this exciting school. Question: What are other ways to start a sentence instead of "I will explain"? Answer: "I will explain" is the way that a person might speak when talking to someone but it is never appropriate in an essay because "I will explain" is really the answer to a question someone asks you and in an essay, you are the only one talking.
What really works better is just to state the question and then give an answer without talking to the audience directly.
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